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the light comes in the name of the voice

by Corey Smith

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jacobhleveton
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jacobhleveton Breathtaking sonic atmospheres and provocative poetics at the level of the spoken word. I can't recommend this highly enough. Favorite track: Joan Sees Atlas From the Moon (1/3).
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Overture 27:00
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about

Music from THE LIGHT COMES IN THE NAME OF THE VOICE, a 7-hour opera for an emptied theater, theatrical lighting, and sheer fabric forms. Premiered at the 280 SITE Gallery, School of the Art Institute of Chicago, Fall 2020.

Video Documentation: youtu.be/6_3FmHJdLXY

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When the English captured Joan of Arc in 1430, they must have known that this person would be significant. So when they put her on trial, they went out of their way to document everything. The minutes of the trial, compiled in French, were translated into Latin 5 years later.

They are written in a peculiar style. It’s not written as a set of dialogues as we might think of transcription today, but rather as a set of statements. When asked X, she responded Y. When asked Z, she did not understand.

Joan was illiterate and only spoke French, the transcripts are in Latin. I don’t read either of those languages — the transcript that I’m consulting was translated into English in 2005. The text has been filtered through time and multiple languages —

"Asked whether her counsel revealed to her that she would escape from prison, she answered: 'Do I have to tell you?'
Asked whether that night the voice counseled and advised her what to answer, she said that if the voice revealed anything to her, she did not understand it.
Asked whether any light appeared on the last two days she heard voices, she said that the light comes in the name of the voice."

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When Thomas Edison invented the phonograph in 1877, something entirely new happened. For the first time in human history, you could hear music separated from a human body. Music became placeless, timeless. Edison went on from music, of course, to electric light.

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In the same way that recorded music is a record of sound that once happened, so too the mesh fabric forms of this opera are a record of light. We can’t see the movement of light, we can only see the demonstration of it striking something. When light strikes and passes through these nets, we can see them. This is a record of where light has been.

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It’s spinning around absence. It’s spinning around things that are too big or too small to see. It’s spinning around God, although everything else is, too. It’s spinning around invisibility, imperceptibility. It’s spinning around light, the particle and the wave, completely vital and completely invisible in its motion. It’s spinning around unembodiment. It’s spinning around empty

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released December 24, 2022

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Corey Smith Chicago, Illinois

composer, writer, performer, midwest enthusiast, aspiring ghost

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